A pretty unlikely early adopter

Clay Shirky just got some interesting ink (to use a trad media term) in the Guardian UK, which compares him visually to Michael Stipe of REM and quotes him re old media: “2009 is going to be a bloodbath,” albeit one that “may produce greater industry clarity.” [Read it here.]

The steady loss of advertising revenue, accelerated by the recession, has normalised the idea that it’s acceptable to move to the web. Even if we have the shallowest recession and advertising comes back as it inevitably does, more of it will go to the web. I think that’s it for newspapers. What we saw happen to the Christian Science Monitor [the international paper shifted its daily news operation online] is going to happen three or four dozen times (globally) in the next year. The 500-year-old accident of economics occasioned by the printing press – high upfront cost and filtering happening at the source of publication – is over. But will the New York Times still exist on paper? Of course, because people will hit the print button.

Ed Ward leaves Berlin

Ed WardMy pal and rock journalist extraordinaire, Ed Ward, is leaving Berlin and putting his Berlinbites blog to rest. He’s setting up in Montpellier, France, and will have a new blog soon. Ed’s been planning this move for several years. Why is he moving?

Ultimately, the city and I just didn’t get along. I became unhappy with the picture Berlin was painting of itself to the world, emphasizing the negative, emphasizing death over life, always twisting the narrative to avoid mentioning things the city should have been proud of. The weather, of course, could be brutal in the winter, and the winter seemed to last for seven months. The food, for most of my stay, was awful, although I have to say that’s one thing which was definitely on the upswing in my last couple of years there. The architecture was relentessly grim, and, with the city sprawled out over an area that seemed the size of Los Angeles, there was an awful lot of it: this past March I’d just returned from Texas and France when I agreed to meet friends at a recently-discovered Chinese restaurant in Neukölln and took the Ringbahn from Schönhauser Allee to get there. I was really demoralized by the time I arrived from the endlessly repetitive vistas of depressing buildings and squalid streets, and this just fuelled my need to get out even further. And I saw all of this reflected in the faces of the residents, so many of whom look either desperately unhappy or lobotomized. I couldn’t see myself getting older there, and given that one of my not-so-unconscious goals in moving in the first place was to find female companionship, I’d long since given up on finding a German woman who wasn’t consumed with self-loathing or incipient mental illness. Not to say that they don’t exist, but the only one I found wasn’t a romantic prospect, although it was encouraging after all those years to discover there were occasional nonconformists.

I’ll post here when Ed’s new blog is up. Meanwhile Ed has a regular rock ‘n’ roll spot on NPR’s Fresh Air. (Photo: Ed Ward and Curra’s in Austin during SXSW 2008, by Jon L.)

Art and social media

I really like Amrita Chandra’s guest post at Chris Brogan’s blog – “What Artists Can Teach Everyone About Social Media.” The art world has always been social and has always had the “consumer is producer” aspect, acknowledged or not. Here’s the best advice:

Live an interesting life. What I love most about art is how it allows people to tell their own stories, whether it is through a painting or a photograph or a video installation.And the best stories come from people who live interesting lives. Look at your own life.Are you in a rut?Are you afraid to try new things?When was the last time you did something that took you outside your comfort zone?By being an interesting person, you will draw people to you through the stories you tell whether you are talking about software or changing the world.

Makes me think of Henry Miller, who made his life his art. He said “art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself.”

That’s also true of “social media.”

Wild Will

Will Elder more or less invented Mad Magazine and modern graphical satire. His art had a “breathtaking immaturity.” [Link]

Elder was a master of an art beloved by kids and despised by their parents for its almost-criminal juvenility. Along with his childhood lunchroom buddy Harvey Kurtzman, the founding editor of Mad, Elder was a primary creator of the gleefully rude, perennially adolescent, unaffected smart-aleck humor that would forever be thought of as the sensibility of American youth. Withhis art for Mad, for Panic, for lesser-known humor magazines like Trump and Help! and, finally, for Playboy, Elder found a window to the junior-high-school soul and chucked rocks through it, exposing that teen spirit in all its confused, hyperactive, self-absorbed glory and scariness. Earlier comic-book artists like Joe Shuster and Bob Kane may have invented the superhero, but Will Elder made possible “Superbad.”

Mac Tonnies

An interview with Mac Tonnies, who has the Posthuman Blues, is a good overview of transhumanist thinking.

I would argue that we’re all “inferior” in the sense that we’re ill-adapted to essentially any lifestyle other than the one in which we happened to evolve. (Ask an astronaut.) I don’t think any transhumanist thinkers want to create a “perfect” being; the operative goal is to empower the human species on an individual level. In a foreseeable future scenario, instead of being saddled with the genome one blindly inherits, one can choose to become an active participant — and I find that possibility incredibly liberating and exciting. Transhumanism is not eugenics.

Grouply isn’t cool

[Someone complained that a link to this post was “dead.” I had unpublished it because, after some conversation with the folks at Grouply, I decided I was a bit harsh. I left the system and I wouldn’t recommend it, but they do seem be resolving some of the issues, and I have to take responsibility for my misinterpretation of their “offer” to contact other members of my Yahoo groups in my name. On the other hand, that’s not a great way to grow the network, and the offer I thought I was seeing – to facilitate connection to Yahoo group members already on Grouply – would make more sense and be less spammy. Whatever the case, I’m republishing this post “for the record.”]

Actually Grouply is a cool idea, but poorly implemented. An application where you can see and manage all your Yahoo and Google groups and friend other group members is a cool idea. A feature that offers to connect you with others who are in your groups that have already signed up could be a good thing, as well. But an application with a feature that looks like that, but that spams everybody in every group you’ve ever joined, is a botch. The application is otherwise wonky… e.g. every time I log in, it takes me through the same setup processes I’ve already stepped through.

I should have looked before I leapt. Grouply’s had issues for months. Search on “grouply spam” and you get 14,300 hits. (Maybe 14,301, after I post this.) There’s an anti-grouply site called “Ungrouply Behavior.”

Grouply does appear to be working with Yahoo users to fix its problems. There’s a Yahoo Group set up for that purpose, called GrouplyImprovements.

If you fall into Grouply and don’t want to be there, you can leave grouply (and I have). You should also change your Yahoo groups password, just in case.

Jay Rosen: Getting a clue about bloggers and ethics

Jay Rosen understands better than anybody the distinctions between traditional media and social media, and he’s written a great post about it, called “If Bloggers Had No Ethics Blogging Would Have Failed, But it Didn’t. So Let’s Get a Clue.”

He writes about trust, quoting Dave Winer, who says “a blog is not defined by the software or features in the format (like comments) but by a person talking: ‘one voice, unedited, not determined by group-think’…. To trust a blogger is to trust in a person, talking to you, who is working without the safety net of an institution.”

In talking about gatekeepers and filters, he makes a really important distinction

In closed systems, editorial production is expensive, so we need good gatekeepers. We solved that problem by having professionals do it.

In open systems, production is cheap and new material abundant, so we need good filters. We solved that problem by having bloggers, social media sites and software do it.

Bloggers have ethics, or practices that lead to trust. They practice “the ethic of the link,” pointing to other thoughts and ideas – Jeff Jarvis talks about a Golden Rule of links in journalism: “ink unto others’ good stuff as you would have them link unto your good stuff. This emerges from blogging etiquette but is exactly contrary to the old, competitive ways of news organizations: wasting now-precious resources matching competitors’ stories so you could say you’d done it yourself.” They readily correct themselves, “they don’t claim neutrality, but they do practice transparency,” they converse openly with each other, they point to each others’ sites as frames of reference, and when they have a story, they keep it alive until naturally cycles out. “In all these ways, good bloggers build up trust with a base of users online. And over time, the practices that lead to trust on the platform where the users actually are… these become their ethic, their rules.”

Harvey Kurtzman

Harvey Kurtzman

I didn’t realize former suckster Joey Anuff was comicologist ’til I saw yesterday’s boing boing post about Joey’s Harvey Kurtzman collection. This warmed my heart and set a little fire in my eyeballs… I was a Harvey Kurtzman fan from the age of 7 or 8, when my brother wandered in with a ten cent comic book called Mad – actually “Tales Calculated to Drive You MAD.” Mad Magazine was a key cultural artifact in my world growing up… as was Kurtzman – we followed him to Humbug, then to Help Magazine, which was published by Jim Warren, who also published Famous Monsters of Filmland. How many young minds were destroyed and rebuilt by these guys? It was all pretty wonderful. He also created the great Harvey Kurtzman’s Jungle Book, and (with Will Elder) Little Annie Fanny for Playboy Magazine. Now Joey is “the owner of approximately 40 lbs. of blue-chip comic book art” from the Kurtzman collection. He also points to an upcoming book, The Art of Harvey Kurtzman: The Mad Genius of Comics The Amazon product description for that book tells you how important Kurtzman was and why you should know about him, if you didn’t already:

Harvey Kurtzman discovered Robert Crumb and gave Gloria Steinem her first job in publishing when he hired her as his assistant. Terry Gilliam also started at his side, met an unknown John Cleese in the process, and the genesis of Monty Python was formed. Art Spiegelman has stated on record that he owes his career to him. And he’s one of Playboy publisher Hugh Hefner’s favorite artists.

Harvey Kurtzman had a Midas touch for talent, but was himself an astonishingly talented and influential artist, writer, editor, and satirist. The creator of MAD and Playboy’s “Little Annie Fanny” was called, “One of the most important figures in postwar America” by the New York Times. Kurtzman’s groundbreaking “realistic” war comics of the early ’50s and various satirical publications (MAD, Trump, Humbug, and Help!) had an immense impact on popular culture, inspiring a generation of underground cartoonists. Without Kurtzman, it’s unlikely we’d have had Airplane, SNL, or National Lampoon.

The Art of Harvey Kurtzman is the first and only authorized celebration of this “Master of American Comics.” This definitive book includes hundreds of never-before-seen illustrations, paintings, pencil sketches, newly discovered lost E.C. Comics layouts, color compositions, illustrated correspondence, and vintage photos from the rich Kurtzman archives

So long to Efjay the Ackermonster

Forrest J. Ackerman by Alan Light

Forrest J. Ackerman was the world’s foremost science fiction fan, as well as former editor of Famous Monsters of Filmland – I was a subscriber and avid reader from the first issue in 1958, and learned quite a bit about behind the scenes fantasy filmmaking. Forry inspired me to read and write science fiction and think way, way outside the box. His house, the Ackermansion (he was a dangerous punster), became a museum of science fiction and fantasy.

After a very rich and wonder-full life, Forry died a December 4. He was 92.

Wikipedia has a detailed entry about him, and Time Magazine has a nice obit.

(Photo by Alan Light)

Shopocalypse now: be mindful

Gary Gach considers how Buddha would approach consumer Christmas: “We should be trying to base contentment on being, rather than having. Then the question of buying that fourth shirt or that new gizmo on display might be dwarfed by the prospect of creating more space in one’s life by donating your extra stuff. When tempted to bite the hook of despair over seeming scarcity in one’s life or in the world, try practicing generosity instead.” He menntion’s Reverent Billy’s motto: “love is a gift economy. Pass it along.”

The Buddha’s critique of mindless craving and needless suffering pinpoints the precise moment during which real pleasure becomes abstract desire – the want to want. In our addictive culture of capitalism, it’s the exact same vital acupressure point that our basic market economy capitalizes on. “Don’t get hooked,” the Buddha says. Remember the hungry ghost, craving more and more of what can never satisfy.

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